Vintageinfo – All About Vintage Lighting

Last Viewed

  • Dieter Witte Oyster wall lamp square metal lampshade bronze coloured diffuser 1960s Germany Staff Leuchten
  • Staff Cross Oyster wall lamp square iron metal 1968 design: Rolf Krüger Germany 4 E27 sockets
  • Fontana Arte - Candle 1957 - 2000 Catalogue Logo
  • Fontana Arte - Candle 1957 - 2000 Catalogue Logo
  • Fontana Arte - Candle 1957 - 2000 Catalogue Logo

Vintageinfo Google Search

The content of this website is subject to copyright. It is forbidden to copy the text for any purpose, including commercial uses such as the sale of lamps through e-commerce websites. Please respect the work of the owner. Thank you in advance.

All Rights Reserved. Please link to the items, do not copy!

Raak Four Sons Of Aymon Flush Mount

Materials: 3 round white painted metal discs. White painted metal rods & parts. White painted metal ceiling mount. Hand blown tubular white opal & clear (incamiciato) glass lampshade/diffuser. Porcelain E27 socket.

Width: ∅ 50 cm / 19.68”

Height: 28 cm / 11.02”

Electricity: 1 bulb E27, 1 x 100 watt maximum, 110 /220 volt.
Any type of light bulb can be used. Not a specific one preferred. But for white glass it is best to use frosted or white bulbs.

Period: 1970s, 1980s – Mid-Century Modern.

Designer: Andre Rotte.

Manufacturer: Raak, Aalsmeer, The Netherlands.

Other versions: The Raak Four Sons Of Aymon flush mount exists also as a pendant lamp.

Translated text from the catalogue:Four metal discs in four sizes embrace the opal glass cylinder in a harmonious unit.

Design of these lamps – Andre Rotte

I do not remember the exact design year of this lamp, but it must have been in the period from 1977 to 1980 when I worked with Paul Driessen in Driessen-Rotte Industrial Design.

I came into contact with Carel Lokhorn (I thought through Benno Premsela, where Paul Driessen‘s wife worked) because he was looking for new talent.

Paul Driessen and I made many design proposals, of which only a few found their way into production. Lokhorn and his staff were very particular.

It took at least a year before a producer for the opal glass chalice was found in the Czech Republic and production could start.

Originally only designed as a pendant lamp, I also made a ceiling version on request. At one point RAAK was sold and I lost contact.

The name of these lamps is derived from the medieval story of the magical horse Bayard with the Four Sons Of Aymon on its back; the chalice symbolizes the horse and the four decreasing disks, of course the four brothers who sit on the horse.

Appropriately, my youngest and fourth child was born when the catalogue was published in 1982, so that the lamp still occupies a special place.

Andre Rotte

Andre Rotte is born in 1947 in Vught, The Netherlands.

After graduating  from “The Design Academy Eindhoven” as a product-designer, Andre worked at the Eindhoven University of Technology as a technical assistant on the design of an electrical city car (ESFA project).

Further he lead for a number of years the design practices of “Driessen & Rotte, Bureau voor Industriele Vormgeving” (Bureau for Industrial Design) and later in “ Buro IV”, as a senior partner with Prof. A. Marinissen and ir. F. Neger.

Assignments were done for companies such as: Fokker Aircraft Industries, Exxon Oil The Netherlands, Grasso Cooling, Bronswerk Airconditioning, Minks Marijnen Refrigerators, Savelkouls Holding, Raak Lighting and many other smaller companies in The Netherlands and Belgium.

Apart from quite a number of successful designed products, from the first assignments on Andre has performed as a design strategist and a manager rather than only as a product designer. Design (in its many expressions and disciplines) as a strategy for companies and institutions has always been his forte and his drive.

Philips

Andre Rotte was asked in 1985 to join Philips Corporate Industrial Design (CID) to design for the Lighting Division, quickly followed by a position as Design Director/Manager for the Personal Care Business Group of Philips. In 1987 he was assigned to the position of Senior Design Director for the division of Domestic Appliances and Personal Care of Philips. In the same year, he became a member of the Design Policy Committee of Royal Philips.

Andre joined the management team of Philips Corporate Industrial Design in 1989 as a Senior Director and was asked by Stefano Marzano, in those days the new Managing Director of Design, to take up the position of Design Services Portfolio Director with a focus on the development of new capabilities and services for Philips. In this job, he also managed the newly established Design Research group as an R&D director.

In the mid-nineties Andre Rotte managed the “Vision of the Future” project as the project director with Stefano Marzano as creative director; a worldwide recognized advanced and major design project forecasting leading innovations in consumer and professional product areas.

2000

Since 2000 Andre was responsible as a vice-president of Philips Design for the global portfolio of Business Process Management, overseeing strategy development, planning, implementation, performance management and business improvement as well as Information Technology. In this role working with over 600 professionals worldwide, he co-managed the growth of the Philips Design business both towards internal and external clients.

Fall 2007 Andre retired from Philips and started the consultancy office “Management and Design“ focusing on the integration of design in processes and organizations. Still, he continued as an observer and coach for the Philips High- and Top potential program and coached in this capacity many executives of Philips and affiliated companies.

Apart from different consultancy jobs for i.e. Philips Design, Philips Medical Systems, Philips Lighting, Philips corporate HRM, as well as the Qanu (the accreditation organization of Dutch and Flemish Academic institutes), he took on the positions of CEO of “Design Initiatief”, the National Program for Innovation through Design as well as the chair of the board of “Designlink”, the Dutch chain-organization for Design. Further, he chaired the international committee for the accreditation of Dutch Academic Design educations. (2007, Qanu) and also the accreditation of the Dutch Academic Research programs (2009 Qanu).

Design

Already as a student, Andre was a student member of the board of the Design Academy and the Governmental Dutch Design Council. Further, he has served as a member, treasurer and president of the KIO-board, and on the advisory board of the former Dutch society of Industrial Design (KIO) and was a board member of the Bureau of European Designers Associations.

He represented the Industrial Design community in the “Federation O” as a member of the board. (An early attempt to unite the Dutch Design professionals under one banner). He was a member or he chaired juries for Design awards like the Philips ICSID award, Dutch Design Awards, GIO recognitions, Dutch Furniture awards and the Hema Design prize. He spoke and lectured on Design for international and national audiences.

Andre is a certified Miller Heiman trainer, ISO assessor and completed with a diploma as best in class the Strategic Marketing course of SRM. Further, he was trained as an Officer in the Dutch Special Forces (Korps Commando Troepen) in which he served as a Major till 1997.

Raak

The Dutch company Raak was founded in 1954 by Carel O. Lockhorn (18 June 1923 – 6 October 2004), a previous employee of Philips Lighting Eindhoven. Raak, which means “to hit” in Dutch, implies design which precisely “hits the nail on the head”.

Raak is best known for their organic modern design of the 1960s and 1970s which combined glass & metals for a sophisticated futuristic style.

The light company collaborated with several international designers and architects, including Bertrand BalasEvert Jelle JellesFrank LigtelijnGer VosJan Jasper FayerLi HeloMaija-Liisa KomulainenNan PlatvoetNanny Still-MackinneyNico KooiSergio AstiTapio WirkalaWillem van Oyen, Ad van Berlo and many others.

Collaborations 

Raak also collaborated with other companies. They worked with the German Peill + Putzler for this Raak Globe lamps. Peill + Putzler produced the glass. They also sold lamps made by Peill + Putzler, such as a pendant lamp designed by Aloys Ferdinand Gangkofner. For the Raak Discus the glass was made by Bega, also a German company. For the Stalactites flush mounts a cooperation with the Belgian Val Saint Lambert was undertaken in the late 1950s. Raak also sold some lamps that were produced by Staff Leuchten (Staff & Schwarz Leuchtenwerke GMBH) from Germany. iittala from Finland produced the glass for the Suomi pendant lamps, and so on…

Carel Lockhorn sold the company in 1974 to ITT but remained a director until 1977. In 1980 Raak merged with BIS Lighting from Aalsmeer, also in The Netherlands and was renamed into BisRaak. In 1986 the Raak company became independent again. The company got a business appearance and only the colours white, black and grey were still processed.

In 1999, Raak merged with Artilite B.V. and Indoor B.V. and became CLA: Centrum voor Lichtarchitectuur B.V. in Drachten (Centre for Light Architecture). Lichtarchitectuur (light architecture) was the Raak tagline from the beginning in the 1950s. The Centre for Lighting Architecture was founded by Egbert Keen. The company was declared bankrupt on 19-05-2011.

Raak received 26 iF Design Awards. They only started participating since 1980. Otherwise it would undoubtedly have been many more.

Incamiciato: overlay lattimo glass (= milky looking glass) with a layer of transparent glass.

Many thanks to Andre Rotte for al the help and info.

Many thanks to Frank from nullviernull raum+kommunikation for the beautiful pictures and enthusiasm. You can find his shop over here on Ebay.