Raak High Chaparral Pendant Lamp

Raak High Chaparral pendant lamp droplet smoked glass lampshade pearl chains 1960s 1970s Netherlands E27 socket

Raak High Chaparral pendant lamp B 1052 label 100 Watt maximum 1960s 1970s Netherlands E27 socket

Raak High Chaparral pendant lamp B-1052 – 1968 catalogue picture

Raak High Chaparral pendant lamp B-1052 – Translated text from the 1968 catalogue

HIGH CHAPARRAL
Geen salonlamp, maar een saloonlamp. Een
kloek ontwerp, passend in de herontdekte
romantiek van saloonklapdeurtjes, berookte
plafonds en houten wanden. Grijs ingerookt
glas met bronskleurig metaal.
Wel breekbaar in een schietgrage omgeving!!
B-1052 hoogte 28 cm, 0 32 cm, lamp tot
100W, bij voorkeur helder.

HIGH CHAPARRAL
Not a salon lamp, but a saloon lamp.A bold design, fitting in the rediscovered romance of saloon folding doors, smoked ceilings and wooden walls.Smoked gray glass with bronze-colored metal.
Fragile in a trigger-happy environment!!
B-1052 height 28 cm, 0 32 cm, lamp up to 100W, preferably clear.

Raak High Chaparral pendant lamp B-1052 – 1972 catalogue picture

Many thanks to Ger for the pictures.

Materials: Hand-blown smoked droplet glass lampshade. Round brass coloured lampshade holder. Brass pearl chain. Brass ornamental screws and parts. Porcelain E27 socket.

Cord: 50 – 105 cm / 19.68 – 41.33”- adjustable

Lampshade: ∅ 35 x 30 cm / 13.77 x 11.81”

Electricity: 1 bulb E27, 1 x 100 watt maximum, 110 /220 volt.
Any type of light bulb can be used. Not a specific one preferred.

Period: 1960s, 1970s, 1980s.

Designer: To be appraised.

Manufacturer:Raak, Aalsmeer, The Netherlands.

Other versions: The Raak High Chaparral pendant lamp also exists as a wall lamp, outdoor wall lamp and flush mount. Over time, the wall lamp was made with several different wall mounts.

The Raak High Chaparral remained in production for many years. It can be found with labels marked Raak, Amsterdam and Raak, Aalsmeer. The company was originally located at Prinsengracht 777 in Amsterdam. After Raak was sold to ITT in 1974, the company moved to Aalsmeer. This example is labelled Aalsmeer.

Unfortunately, the designer is not mentioned in the catalogues. The design is, however, very reminiscent of the florentine droplet lamps associated with Florence, Italy. a style that can still be seen everywhere there, both in the streets and in private houses. The company Targetti Sankey, also based in Florence, produced several lamps in a similar style. A chandelier can be found here. A table lamp can be found here.

Other names

The first name used for this pendant lamp was High Chaparral. In 1972, it was renamed Troubadour. In the 1978 catalogue, it appears as Saloon. The last name used was Crinoline, as seen in the 1982 catalogue.

Raak

The Dutch lighting company Raak was founded in 1954 by Carel O. Lockhorn (18 June 1923 – 6 October 2004), who had previously worked for Philips Lighting in Eindhoven. The Dutch word raak can be understood as “on target” or “to hit the mark”, a fitting name for a company that became known for its progressive and carefully considered lighting designs.

Raak is best known for its distinctive Dutch modern lighting of the 1960s and 1970s. Many of their best designs combine glass and metal in a way that feels both elegant and futuristic. Their lighting often has a strong architectural presence, while still retaining a warm and decorative quality. Because of this, Raak became one of the most recognizable names in post-war European lighting.

Over the years, Raak collaborated with a remarkable range of Dutch and international designers and architects, among them Bertrand Balas, Evert Jelle Jelles, Frank Ligtelijn, Ger Vos, Jan Jasper Fayer, Li Helo, Maija-Liisa Komulainen, Nan Platvoet, Nanny Still-McKinney, Nico Kooi, Sergio Asti, Tapio Wirkkala, Willem van Oyen, Rico Baltussen, Kees Terlouw, Yki Nummi, Tobia Scarpa, Berend Bodenkamp, Arihiro Miyake and others.

Collaborations

Raak also worked together with several other lighting and glass companies. For the well-known Globe series, the glass was produced by the German company Peill+Putzler. Raak also sold lamps made by Peill+Putzler, including models designed by Aloys Ferdinand Gangkofner. For the Discus flush mount, the glass was made by the German company Bega. In the late 1950s, Raak also cooperated with the Belgian glass manufacturer Val Saint Lambert for the Stalactites flush mounts. In addition, Raak marketed several lamps produced by Staff Leuchten in Germany, as well as models connected to other European manufacturers.

Carel Lockhorn sold the company in 1974 to ITT, although he remained director until 1977. In 1980, Raak merged with BIS Lighting from Aalsmeer in The Netherlands and continued under the name BisRaak. In 1986, the company became independent again. By then, the collection had changed considerably: the more expressive and decorative character of the 1960s and 1970s gradually gave way to a more restrained, architectural look, often in black, white and grey.

In 1999, Raak merged with Artilite B.V. and Indoor B.V. and became CLA: Centrum voor Lichtarchitectuur B.V. in Drachten. The term Lichtarchitectuur had already been used by Raak as a slogan from the early years onward. CLA was founded by Egbert Keen. The company was declared bankrupt on 19 May 2011.

Raak received 26 iF Design Awards. As the company only began entering the competition in 1980, that number might otherwise have been even higher.