Christian Dell 6631 Desk Lamp
Metalarte stamp & plug.
Lamps In The Movies
Le Cercle Rouge (1970)
A Christian Dell 6631 desk lamp was used as a set decoration in the 1970 Franco-Italian crime film Le Cercle Rouge (The Red Circle). Starring Alain Delon, Andre Bourvil, Yves Montand and Gian Maria Volonté.
Crooked House (2017)
A Christian Dell 6631 desk lamp was used as a set decoration in the 2017 British-American mystery film Crooked House. Starring: Max Irons, Stefanie Martini and Glenn Close.
Don’t Look Up (2021)
An old version of a Christian Dell 6631 desk lamp was used as a set decoration in the 2021American satirical science fiction film Don’t Look Up. Starring Leonardo DiCaprio, Jennifer Lawrence and Rob Morgan.
Fallout TV Series (2024 – )
Many Christian Dell 6631 desk lamps were used as set decorations in the 2025 American post-apocalyptic drama television series Fallout, starring Ella Purnell, Aaron Moten, and Kyle MacLachlan. They appear here in Season 2, Episode 3.
It is rather strange to see German lamps in this TV series. Incidentally, they are all newly manufactured examples. Presumably, the production team was looking for a series of identical, old-looking lamps to create a uniform appearance across all those desks. As this model is still in production by Fritz Hansen, the choice was easy. However, they do not really belong in this setting.
There are also a few pendant lamps from the 1970s in the series, presumably by the American brand Virden. To a modern eye, they may resemble lamps from the 1950s, but these pendants appear in catalogues from the 1970s. Two small PH 5 pendant lamps, designed by Poul Henningsen, also appear in the series. They are installed in a modern 1950s villa, which makes sense. You can find them over here.
A modular chandelier from the C 300 series, designed by Trix & Robert Haussmann and produced by Swiss Lamps International, hangs in the entrance hall of the villa occupied by Cooper Howard, the Ghoul cowboy. This lamp is often described as having been designed in the late 1950s, but it is at least ten years younger. It, too, is therefore historically out of place.
Links (external links open in a new window)
Gebr. Kaiser & Co. Leuchten KG – Wikipedia
KAISER idell 6631-T Luxus desk lamp – Fritz Hansen website
New Kaiser Idell lamps for sale at Fritz Hansen
Henry van de Velde – Wikipedia
Kunstgewerbeschule Weimar – Wikipedia
Le Cercle Rouge (1970) film – Wikipedia
Le Cercle Rouge (1970) film – IMDb
Crooked House (2017) film – Wikipedia
Crooked House (2017) film – IMDb
Don’t Look Up (2021) film – Wikipedia
Don’t Look Up (2021) film – IMDb
Many thanks to Lluís from Eclectique Vintage for the photos.
Christian Dell 6631 Desk Lamp
Materials: Chrome & black painted round iron base. Cast iron counterweight inside the base. Iron bottom plate. Chrome curved rod and parts. Black painted round lampshade. Some metal parts. Metal E27 socket.
Height: 45 cm / 17.71”
Lampshade: ∅ 35 cm / 13.77”
Base: ∅ 20 cm / 7.87”
Electricity: 1 × E27 bulb, maximum 60 watts, suitable for 110/220 volts.
Any type of E27 light bulb can be used; no specific type is required.
Period: 1960s – Neo-Bauhaus.
Designer: Christian Dell, 1936.
Manufacturer: Metalarte, Paseo de la Ribera 115, Canovelles, Barcelona, Spain.
Other versions: The Christian Dell 6631 desk lamp “Luxus” was produced in several colours. Christian Dell designed numerous “Idell” lamps for Kaiser Leuchten. The name “Idell” combines the word idea with Dell’s surname.
It is currently unclear whether Kaiser Leuchten manufactured this model for Metalarte, or whether Metalarte produced it under licence. The Metalarte logo is pressed into the underside of the base, and this example is fitted with a Metalarte plug. The name KAISER idell is, of course, not stamped into the lampshade. Based on the plug type, this lamp was most likely produced in the 1960s or 1970s.
Production of this desk lamp began in 1936, and it was most likely designed in the same year.
Today, the Christian Dell 6631 desk lamp “Luxus” is once again in production, manufactured by Fritz Hansen. Several other lamps designed by Christian Dell are also currently available.
It should be noted that Fritz Hansen sells the tiny push switch for this lamp as an official spare part — for €89 including VAT. Yes, €89 for a basic built-in push button switch — a component that can be purchased in any ordinary hardware store for around €1. To make matters even more remarkable, the part is supplied without the small locking nut that secures it in place. If that piece is missing or damaged, one assumes it must be ordered separately.
The product description even states “designed by Christian Dell.” That is rather generous. Dell, like most designers of his time, used standard industrial components that were already available. To present a generic switch as a designer object — and price it accordingly — is, at the very least, optimistic. One suspects this spare part is aimed at a very specific customer: those who are both unaware and well-funded.
Christian Dell
Christian Dell (1893–1974) was born in Offenbach am Main, located between Frankfurt am Main and Hanau in Hesse, Germany. From 1907 to 1911 he studied silver forging at the “Königlich Preußische Zeichenakademie” in Hanau.
At the same time, he completed a demanding apprenticeship as a silversmith, working from 1907 to 1912 at the Schleissner & Söhne silver factory in Hanau.
In 1913, Dell worked as a silversmith in Dresden before enrolling at the “Großherzoglich-Sächsische Kunstgewerbeschule Weimar” (Grand Ducal Saxon School of Arts and Crafts) in Weimar, where he encountered the Belgian artist and architect Henry van de Velde. Together with Victor Horta and Paul Hankar, van de Velde is considered one of the principal founders and representatives of Art Nouveau in Belgium.
After serving in the army during the First World War, Dell worked as a day labourer between 1918 and 1920. He then moved to Munich, where he was employed as a master silversmith by Hestermann & Ernst. In 1920, he relocated to Berlin to work for the silversmith Emil Lettré.
Bauhaus
Dell returned to Hanau, and from 1922 to 1925 he served as foreman of the metal workshop at the Bauhaus in Weimar, where he collaborated closely with the Hungarian constructivist László Moholy-Nagy. During this period, he produced numerous designs for office and workplace metal lighting fixtures.
In 1926, he moved to the Frankfurter Kunstschule in Frankfurt. There he designed a significant body of lighting, including the brass and nickel “Rondella-Polo” (1928–1929) table lamp series, which marked his creative breakthrough, and the “Idell” range. The latter was mass-produced primarily by Gebr. Kaiser & Co. Leuchten KG and later also by Bünte & Remmler.
At the end of 1928, several of Dell’s designs were featured in an exhibition at the Kunsthalle Mannheim, focusing on craftsmanship in the machine age.
In 1933, the Nazi regime forced him to leave the Frankfurt art school. Walter Gropius offered him a position in the United States, but Dell chose to remain in Germany.
After the Second World War, Dell resumed working in silver and opened a jewellery shop in Wiesbaden in 1948, which he operated until 1955. He passed away in Wiesbaden in 1974.
Several working and desk lamps designed by Christian Dell are still in production today and are manufactured by Fritz Hansen.
Metalarte
Metalarte was founded in 1932 in Canovelles, a town about 30 km from Barcelona, in Catalonia, Spain. The company started as a metalworking workshop and gradually evolved into one of the most important lighting manufacturers in Spain. From the 1940s onward, Metalarte focused increasingly on functional and architectural lighting, laying the foundations for its later design-oriented identity.
During the 1960s and 1970s, Metalarte went through a major transformation. The company renewed its catalogue and actively collaborated with external designers, embracing contemporary industrial design rather than relying solely on in-house production. In this period, Metalarte also distributed lamps by international manufacturers such as Louis Poulsen (Denmark) and Italian firms including Arteluce and Stilnovo, reflecting its strong international outlook.
Metalarte worked with a wide range of designers who played a key role in shaping Spanish lighting design, including André Ricard, Enric Franch, Josep Lluscà, Estudi Blanc, Josep Aregall, Òscar and Sergi Devesa, Antoni Arola, Lievore Altherr Molina, Ricard Ferrer, George W. Hansen, Héctor Serrano, Jordi Llopis, Ana Mir, Emili Padrós, Otto Canalda and Ramón Úbeda.
Several Metalarte designs from the 1970s became international references for functional lighting. A notable example is the Calder halogen lamp (1974) by Enric Franch, which is included in the permanent collection of the Museum of Modern Art (MoMA) in New York.
Today, Metalarte is part of the Luxonia Group, together with brands such as Troll and Sagelux. While this integration ensured continuity and industrial backing, it also marked the end of Metalarte as an independent, design-driven manufacturer rooted in its original Catalan context.
Gebr. Kaiser & Co. Leuchten KG
Gebr. Kaiser & Co. Leuchten KG, a Lichttechnische Spezialfabrik based in Neheim-Hüsten, was founded by Hermann Kaiser, who had come to Neheim as a worker from Heddinghausen. Together with his brother and a business partner, he established the company in 1895.
Initially, the company focused on producing nickel-plated and copper-plated lamp components for existing lighting manufacturers. Its economic breakthrough came with the development of a very inexpensive tinplate petroleum lamp. During the First World War, production was converted to war-related materials, including storm lanterns.
After the war, the manufacture of electric lighting fixtures was expanded, eventually becoming the company’s sole line of business. During the interwar period, the firm developed into one of the largest lighting manufacturers in the Neheim region, not least thanks to the lamps designed by Christian Dell.
By 1934, the company employed around 350 workers. This number increased to approximately 600–700 employees by the beginning of the Second World War.
During the Second World War, the production facilities were completely destroyed, partly as a result of the Möhne disaster in 1943. After the war, the company experienced a strong phase of expansion, temporarily employing between 750 and 1,000 people.
Towards the end of the 1970s, the company was acquired by the Thorn Lighting Group. In 1993, it became part of an international investment company, and the remaining production facilities were relocated to Dortmund in 2000.
Christian Dell 6631 Desk Lamp
Light blue Metalarte version.
































