Raak Serpent Desk Lamp – 1973 Studio Collection Catalogue Picture
Several models on this page of the catalogue. Table lamps, clamp lamps and a wall lamp.
Text from the catalogue in Dutch
“Paradijselijk ontwerp: slang en appel, kan het listiger?
De slang kronkelt zich naar alle standen, naar de hand van haar
“bezweerder”. Volgt uw stemmingen en gedachtenkronkels.”
Blank aluminium reflector met zilvergrijze slang. Maximum
vlucht 100 cm. Normale gloeilamp tot 100 watt. Wenst men
bijzonder sterke lichtaccenten dan bestelle men
extra spiegeloptiek R-41.”
Translated text from the Raak catalogue
“Heavenly Design: snake and apple, can it be more cunning?
The snake winds itself in all positions, to the hand of her
“enchanter“. Follow your moods and twisted thoughts. “
White aluminum reflector with silver grey snake. Maximum
Flight 100 cm. Normal light bulb up to 100 watts. If one wants
particularly strong lighting accents than one order
additional mirror optics R-41. “
Raak Serpent Desk Lamp – 1968 Catalogue Picture
A wall lamp and a clamp lamp.
Raak Serpent Desk Lamp – 1972 Catalogue Picture
Raak Cobra table, clamp and floor lamp.
Many thanks to Martine Le Forestier for the help.
Raak Serpent Desk Lamp
Materials: Round aluminium base with a cast-iron counterweight. Iron gooseneck with black plastic hose. Aluminium eyeball lampshade. Porcelain E27 socket.
Height: 60 cm / 14.17” – adjustable
Base: ∅ 25 cm / 16.92”
Electricity: 1 bulb E27, 1 x 75 watt maximum, 110/220 volt.
Any type of light bulb can be used, but preferably a small round white or clear bulb.
Period: 1960s – Mid-Century Modern.
Designer: Martine Le Forestier.
Manufacturer: Raak, Amsterdam, The Netherlands.
Other versions: The Raak Serpent desk lamp was produced in several variations. Some of the other versions are shown in the images below, taken from Raak catalogues from 1968 and 1972. These include wall lamps, clamp lamps, floor lamps, table lamps and desk lamps.
This particular lamp is model D-2124. It appears only in an intermediate catalogue from 1973, the Raak Studio Collection Catalogue, a small catalogue intended exclusively for retailers (image on the left).
In Raak Catalogue 9 from 1972, the Serpent models were still called Cobra.
Martine Le Forestier
Martine Le Forestier is a French designer, born on 3 September 1945.
She studied at the ENSAAMA (École Nationale Supérieure des Arts Appliqués et des Métiers d’Art) in Paris. In 1969, she won the prestigious Prix Viénot for the design of this lamp.
Martine Le Forestier also designed an infrared lamp for Philips and worked for the renowned French industrial designer Roger Tallon. Tallon is best known for his design work for the TGV (Train à Grande Vitesse), the French high-speed train, as well as for a series of watches created for the French company LIP.
Besides transportation design, Roger Tallon also designed furniture, household objects and lighting. Examples of his lamps can be found here on Vintageinfo.
Raak
The Dutch lighting company Raak was founded in 1954 by Carel O. Lockhorn (18 June 1923 – 6 October 2004), who had previously worked for Philips Lighting in Eindhoven. The Dutch word raak can be understood as “on target” or “to hit the mark”, a fitting name for a company that became known for its progressive and carefully considered lighting designs.
Raak is best known for its distinctive Dutch modern lighting of the 1960s and 1970s. Many of their best designs combine glass and metal in a way that feels both elegant and futuristic. Their lighting often has a strong architectural presence, while still retaining a warm and decorative quality. Because of this, Raak became one of the most recognizable names in post-war European lighting.
Over the years, Raak collaborated with a remarkable range of Dutch and international designers and architects, among them Bertrand Balas, Evert Jelle Jelles, Frank Ligtelijn, Ger Vos, Jan Jasper Fayer, Li Helo, Maija-Liisa Komulainen, Nan Platvoet, Nanny Still-McKinney, Nico Kooi, Sergio Asti, Tapio Wirkkala, Willem van Oyen, Rico Baltussen, Kees Terlouw, Yki Nummi, Tobia Scarpa, Berend Bodenkamp, Arihiro Miyake and others.
Collaborations
Raak also worked together with several other lighting and glass companies. For the well-known Globe series, the glass was produced by the German company Peill+Putzler. Raak also sold lamps made by Peill+Putzler, including models designed by Aloys Ferdinand Gangkofner. For the Discus flush mount, the glass was made by the German company Bega. In the late 1950s, Raak also cooperated with the Belgian glass manufacturer Val Saint Lambert for the Stalactites flush mounts. In addition, Raak marketed several lamps produced by Staff Leuchten in Germany, as well as models connected to other European manufacturers.
Carel Lockhorn sold the company in 1974 to ITT, although he remained director until 1977. In 1980, Raak merged with BIS Lighting from Aalsmeer in The Netherlands and continued under the name BisRaak. In 1986, the company became independent again. By then, the collection had changed considerably: the more expressive and decorative character of the 1960s and 1970s gradually gave way to a more restrained, architectural look, often in black, white and grey.
In 1999, Raak merged with Artilite B.V. and Indoor B.V. and became CLA: Centrum voor Lichtarchitectuur B.V. in Drachten. The term Lichtarchitectuur had already been used by Raak as a slogan from the early years onward. CLA was founded by Egbert Keen. The company was declared bankrupt on 19 May 2011.
Raak received 26 iF Design Awards. As the company only began entering the competition in 1980, that number might otherwise have been even higher.
Links (external links open in a new window)
Vintageinfo
Four Sons Of Aymon flush mount
Chartres blue-green glass wall lamp
1958 Raak Additional Catalogue 4
1962 Raak lighting catalogue 5
1968 Raak lighting catalogue 8
































