Text from the catalogue in Dutch – Raak Sphere – B-1151 – Catalogue 5 – 1962
Wijd als de ruimte,
strak als een kunstmaan,
twinkelend als de melkweg,
het ontwerp Sphere
Wide as the space,
tight as a satellite,
twinkling like the Milky Way,
the design Sphere
Text from the catalogue in Dutch – Raak Sphere – B-1171 – Catalogue 8 – 1968
Verlichting in het spannende en gespannen ritme van Houston Mission Control.
Wentelend als een capsule door de ruimte. Zwevend als een lunarmodule in woonkamer, restaurant of bar. Roger!
Lighting in the exciting and tense rhythm of Houston Mission Control.
Wallowing like a space capsule. Floating like a lunar module in living room, restaurant or bar. Roger!
Raak Lunar – B-1151.20 – Catalogue 11 – 1978
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Raak Orbiter Pendant Lamp
Materials: Acrylic glass, aluminum. Porcelain socket.
Cord length: 65 cm / 9.37”
Height: 35 cm / 3.77”
Width: ∅ 45 cm / 7.71”
Electricity: 1 bulb E27, 1 x 100 watt maximum, 110/220 volt.
Any type of light bulb can be used, but a white/opaque or frosted bulb is preferred.
Period: 1950s – 1970s – Mid-Century Modern.
Designer: To be appraised.
Manufacturer: Raak Amsterdam, The Netherlands.
Other versions: Made in crystal clear, amber yellow, azure blue and smoky brown perspex.
Different names for this lamp: The name of this lamp changed 4 times; first in 1958 (Raak Catalogue 4) it was called Orbiter, in 1962 (Raak Catalogue 5) it changed into Sphere, in 1968 (Raak Catalogue 8) – probably under the influence of the 1st moon landing – it became Roger! In 1978 (Raak Catalogue 11) it got the name Lunar.
Also the numbers changed, in 1958 it was B-1171, than it became B-1151, later on it changed again into B-1171 to change in 1978 into B-1151.
The Dutch company “Raak Amsterdam” was founded in 1954 by Carel O.Lockhorn (18 June 1923 – 6 October 2004), a previous employee of Philips Lighting Eindhoven. Raak, which means “to hit” in Dutch, implies design which precisely “hits the nail on the head”.
Raak is best known for their organic modern design of the 1960s and 1970s which combined glass & metals for a sophisticated futuristic style.
The light company collaborated with several international designers and architects, including Bertrand Balas, Evert Jelle Jelles, Frank Ligtelijn, Ger Vos, Jan Jasper Fayer, Li Helo, Maija-Liisa Komulainen, Nan Platvoet, Nanny Still-Mackinney, Nico Kooi, Sergio Asti, Tapio Wirkala, Willem van Oyen and many others.
Raak Amsterdam also collaborated with other companies. They worked with the German Peill & Putzler for the Raak Globe lamps. Peill & Putzler produced the glass.
They also sold lamps made by Peill & Putzler, such as a pendant light designed by Aloys Ferdinand Gangkofner. For the Raak Discus the glass was made by Bega, also a German company. For the Night Club and Stalactites lamps a cooperation with the Belgian Val Saint Lambert was undertaken in the late 1950s.
Carel Lockhorn sold the company in 1974 to ITT but remained a director until 1977. In 1980 Raak merged with BIS Lighting from Aalsmeer, also in The Netherlands and was renamed into BisRaak. In 1986 the Raak company became independent again. The company got a business appearance and only the colors white, black and gray were still processed.
In 1999, Raak merged with Artilite B.V. and Indoor B.V. and became CLA: Centrum voor Lichtarchitectuur B.V. in Drachten (Center for Light Architecture). The Center for Lighting Architecture was founded by Egbert Keen. The company was declared bankrupt on 19-05-2011.
Raak Roger – B-1171 – Catalogue 8 – 1968
Used as a prob in the 1983 James Bond movie “Never Say Never Again” with Sean Connery.