Raak Wall Lamp – Inside View
Inside view with these two labels.
Text in Dutch from the original catalogue 12 from 1982
Een opaalglazen witte halve bol die suggereert uit twee kwart bollen te zijn opgebouwd, want ‘het hoedje’ heeft een grotere doorsnede. Voor binnen en
buiten.
W -1875.0000
Opaalglas en kunststof wandplaat
Sprong 17 cm, hoogte 24.5 cm. breedte 30 cm. Lamp tot 60 W.
Translated text
An opal glass white hemisphere which suggested that it is made up of two half-shells, because ‘ the hat’ has a larger cross-section. For indoor and
outside.
W -1875.0000
Opal Glass and plastic wall plate
Thick 17 cm, height 24.5 cm. width 30 cm. Lamp 60 W.
Links (external links open in a new window)
Vintageinfo
Four Sons Of Aymon flush mount
Raak Catalogues
Raak Wall Lamp
Materials: Black Bakelite wall mount. Aluminium reflector. 3 screws, some metal parts. Round white opal frosted glass lampshade. Porcelain E27 socket.
Height: 30 cm / 64.96”
Width: ∅ 24 cm / 9.84”
Electricity: 1 bulb E27, 1 x 75 watt maximum, 110/220 volt.
Any type of light bulb can be used, but preferably a white/opaque or frosted light bulb.
Period: 1970s – Mid-Century Modern.
Designer: To be appraised.
Manufacturer:Raak Lichtarchitectuur, Amsterdam, The Netherlands.
Other versions: This Raak wall lamp exists in three versions: W-1875 for 60 watts, W-1890 for 75 watts, and W-1894 for 100 watts.
The lamp also has two different model numbers. In the 1970s, it was listed as P-1412; later, it became W-1890.
Artemide Mania
This Raak wall lamp bears some resemblance to the Artemide Mania and Grande Mania, wall lamps designed by Vico Magistretti. These models were made of Makrolon, a polycarbonate thermoplastic. They can be seen here in the Artemide catalogue of 1973 and here in the Artemide catalogue of 1976 on Vintageinfo.
Raak
The Dutch lighting company Raak was founded in 1954 by Carel O. Lockhorn (18 June 1923 – 6 October 2004), who had previously worked for Philips Lighting in Eindhoven. The Dutch word raak can be understood as “on target” or “to hit the mark”, a fitting name for a company that became known for its progressive and carefully considered lighting designs.
Raak is best known for its distinctive Dutch modern lighting of the 1960s and 1970s. Many of their best designs combine glass and metal in a way that feels both elegant and futuristic. Their lighting often has a strong architectural presence, while still retaining a warm and decorative quality. Because of this, Raak became one of the most recognizable names in post-war European lighting.
Over the years, Raak collaborated with a remarkable range of Dutch and international designers and architects, among them Bertrand Balas, Evert Jelle Jelles, Frank Ligtelijn, Ger Vos, Jan Jasper Fayer, Li Helo, Maija-Liisa Komulainen, Nan Platvoet, Nanny Still-McKinney, Nico Kooi, Sergio Asti, Tapio Wirkkala, Willem van Oyen, Rico Baltussen, Kees Terlouw, Yki Nummi, Tobia Scarpa, Berend Bodenkamp, Arihiro Miyake and others.
Collaborations
Raak also worked together with several other lighting and glass companies. For the well-known Globe series, the glass was produced by the German company Peill+Putzler. Raak also sold lamps made by Peill+Putzler, including models designed by Aloys Ferdinand Gangkofner. For the Discus flush mount, the glass was made by the German company Bega. In the late 1950s, Raak also cooperated with the Belgian glass manufacturer Val Saint Lambert for the Stalactites flush mounts. In addition, Raak marketed several lamps produced by Staff Leuchten in Germany, as well as models connected to other European manufacturers.
Carel Lockhorn sold the company in 1974 to ITT, although he remained director until 1977. In 1980, Raak merged with BIS Lighting from Aalsmeer in The Netherlands and continued under the name BisRaak. In 1986, the company became independent again. By then, the collection had changed considerably: the more expressive and decorative character of the 1960s and 1970s gradually gave way to a more restrained, architectural look, often in black, white and grey.
In 1999, Raak merged with Artilite B.V. and Indoor B.V. and became CLA: Centrum voor Lichtarchitectuur B.V. in Drachten. The term Lichtarchitectuur had already been used by Raak as a slogan from the early years onward. CLA was founded by Egbert Keen. The company was declared bankrupt on 19 May 2011.
Raak received 26 iF Design Awards. As the company only began entering the competition in 1980, that number might otherwise have been even higher.























