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Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen Denmark
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 1
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 2
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 5
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 6
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 3
Arne Jacobsen Royal pendant lamp 1957 design white half round metal grid lampshade Louis Poulsen DenmarkArne Jacobsen Royal Pendant Lamp 4

Arne Jacobsen Royal Pendant Lamp

Materials: White lacquered half round metal grid (aluminium) lampshade. Painted white on the inside. Metal (iron) parts. 4 porcelain E27 sockets.

Cord Length: 80 cm / 31.49”

Height: 22,5 cm / 8.85”

Width: ∅ 50 cm / 19.68”

Electricity: 4 bulbs E27, 4 x 100 watt maximum, 110/220 volt.
Not any type of light bulb can be used, it has to be a normal bulb.

Period: 1950s – Mid-Century Modern.

Designer: Arne Jacobsen (1902-1971)

Manufacturer: Louis Poulsen & Co A/S, Copenhagen, Denmark.

Other versions: This Arne Jacobsen Royal pendant lamp was produced in several colours and in two sizes. The smaller version measures Ø 37 × 18 cm (approximately Ø 14.56 × 7.08 inches) and was redesigned for interiors where the lamp needed to be suspended at a greater height. For this reason, the light is diffused through an acrylic opal base plate, and the lamp uses a single E27 light bulb.

The larger version was designed to be hung lower and provides a more direct light. It is known as the AJ Royal 500.

Arne Jacobsen

Arne Emil Jacobsen was a Danish architect and designer, born in Copenhagen on 11 February 1902. He studied architecture at the Royal Danish Academy of Fine Arts from 1924 to 1927. While still a student, he gained early international recognition in 1925, when he won a silver medal for a chair design at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. After graduating, he first worked in the architectural office of Poul Holsøe before establishing his own studio.

Throughout his career, Arne Jacobsen designed buildings, furniture, lighting and everyday objects with a highly disciplined and refined sense of form. He is widely regarded as one of the leading figures of Danish Modern design, and many of his projects were conceived as complete interior and architectural environments.

For Louis Poulsen, Jacobsen designed the hemispherical AJ Royal pendant in 1957 for the SAS Royal Hotel in Copenhagen. At the hotel, the lamp appeared in a copper version above the tables in the snack bar behind the atrium, in the lounge on the first floor, and in the Panorama Lounge on the twenty-first floor. When first introduced, the model was simply known as the AJ Pendant.

The AJ Royal formed part of Jacobsen’s complete design concept for the hotel, together with the AJ lamp series and other now-iconic designs such as the Egg and Swan chairs. The SAS Royal Hotel, which opened in 1960, became one of the clearest examples of Jacobsen’s total-design approach, in which architecture, lighting, furniture and interior details were conceived as a unified whole.

Among Jacobsen’s best-known furniture designs are the Ant, Series 7, Egg and Swan chairs, all of which helped shape the international image of Danish design in the post-war period. Arne Jacobsen died on 24 March 1971, while several major projects were still in progress.

Louis Poulsen

Louis Poulsen is a Danish lighting manufacturer with roots going back to 1874, when Ludvig R. Poulsen founded a business in Copenhagen. Originally a trading company, the firm gradually shifted towards electrical supplies and lighting as electricity became more widely used. In 1896 Ludvig’s nephew Louis Poulsen joined the company, and after Ludvig’s death in 1906 Louis continued the business. In 1914Sophus Kaastrup-Olsen became a partner, and the company name changed to Louis Poulsen & Co.

A decisive turning point came in 1924, when Poul Henningsen began his long collaboration with the company. His scientific approach to glare-free lighting and reflective multi-shade systems became central to the identity of Louis Poulsen and strongly influenced modern lighting design. Since then, the company has continued to combine functional light, architectural clarity and carefully considered form, following the idea that a lamp should not merely be an object, but a tool to shape light.

Over the decades, Louis Poulsen has produced both iconic domestic lighting and large-scale architectural lighting for public and professional spaces. The company remains one of the best-known names in Danish lighting design, with a strong emphasis on the quality, direction and atmosphere of light.
Designers

The designer most closely associated with Louis Poulsen is Poul Henningsen (PH). Other major names linked to the company include Arne Jacobsen, Verner Panton, Vilhelm Lauritzen and Vilhelm Wohlert.

Over time, Louis Poulsen also collaborated with a wide range of designers, architects and studios, including Alfred Homann, Andreas Hansen, Eila & John Meiling, Henning Klok, Axel Wedel Madsen, Jørgen Bo, Ole Valdemar Kjær, Jens Møller-Jensen and Bent Gantzel-Boysen.

Among later and more recent collaborations are Louise Campbell, Øivind Slaatto, Christian Flindt, Clara von Zweigbergk, nendo (Oki Sato), Olafur Eliasson, GamFratesi, Anne Boysen, Peter Bysted, Anu Moser, Shoichi Uchiyama, Gabriel Tan and Finn Juhl.
Arne Jacobsen Royal Pendant Lamp – Company Labels
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