Metalarte Acrylic Table Lamp

Materials: Round chromed metal (iron) base. Chrome ornamental screws. White acrylic gradually expanding half globe mushroom lampshade. Metal E27 socket.

Height: 40 cm / 15.74”

Width: ∅ 35 cm / 13.77”

Electricity: 1 bulb E27, 1 x 60 watt maximum, 110/220 volt.
Any type of light bulb can be used, but a white/opal one gives the best result.

Period: 1960s, 1970s – Mid-Century Modern.

Designer: To be appraised.

Manufacturer: Metalarte, Paseo de la Ribera 115, Canovelles, Barcelona, Spain.

Other versions: This Metalarte acrylic table lamp exists in all provability in several colours.

Acrylic: often named by its commercial name: Perspex, Plexiglas, Crylux, Acrylite, Lucite, is a thermoplastic.

Metalarte

Metalarte was founded in 1932 in Canovelles, a town about 30 km from Barcelona, in Catalonia, Spain. The company started as a metalworking workshop and gradually evolved into one of the most important lighting manufacturers in Spain. From the 1940s onward, Metalarte focused increasingly on functional and architectural lighting, laying the foundations for its later design-oriented identity.

During the 1960s and 1970s, Metalarte went through a major transformation. The company renewed its catalogue and actively collaborated with external designers, embracing contemporary industrial design rather than relying solely on in-house production. In this period, Metalarte also distributed lamps by international manufacturers such as Louis Poulsen (Denmark) and Italian firms including Arteluce and Stilnovo, reflecting its strong international outlook.

Metalarte worked with a wide range of designers who played a key role in shaping Spanish lighting design, including André Ricard, Gaetano Sciolari, Enric Franch, Josep Lluscà, Estudi Blanc, Josep Aregall, Òscar and Sergi Devesa, Antoni Arola, Lievore Altherr Molina, Ricard Ferrer, George W. Hansen, Héctor Serrano, Jordi Llopis, Ana Mir, Emili Padrós, Otto Canalda and Ramón Úbeda.

Several Metalarte designs from the 1970s became international references for functional lighting. A notable example is the Calder halogen lamp (1974) by Enric Franch, which is included in the permanent collection of the Museum of Modern Art (MoMA) in New York.

Today, Metalarte is part of the Luxonia Group, together with brands such as Troll and Sagelux. While this integration ensured continuity and industrial backing, it also marked the end of Metalarte as an independent, design-driven manufacturer rooted in its original Catalan context.