Svend Aage Holm-Sørensen Copper Pendant Lamp
Other examples of brass lamps designed by Svend Aage Holm-Sørensen.
Svend Aage Holm-Sørensen Copper Pendant Lamp
Materials: Round lampshade made of 7 metal (copper) burned rings, Saturn style. Copper bars and screws. Bakelite E27 socket.
Cord Length: 60 cm / 23.62’’
Height: 24,5 cm / 9.64”
Width: ∅ 32 cm / 12.59”
Electricity: 1 bulb E27, 1 x 75 watt maximum, 110/220 volt.
Any type of light bulb with an E27 screw base can be used. Not a specific one preferred.
Period: 1960s, 1970s – Mid-Century Modern.
Designer: Sven(d) Aage Holm-Sørensen (1913 – 2004).
Manufacturer: Holm-Sorensen & Pedersen Belysning ApS – Holm-Sorensen & Co. A/S, Denmark.
Other versions: This Svend Aage Holm-Sørensen copper pendant lamp was made with 3, 5, or 9 rings.
Svend Aage Holm-Sørensen designed many pendant lamps in this style, as shown below. These models were produced in both copper and brass.
The style of lamps like this is often described as Brutalist. This should not be confused with Brutalist architecture, or Brutalism in a broader sense, from roughly the same period, as that is something quite different.
Holm-Sørensen
Svend Aage Holm-Sørensen (1913-2004) was a Danish designer and manufacturer best known for his highly distinctive lighting designs from the 1950s, 1960s and 1970s. Trained as an ornamental metalworker, he brought a strong sculptural and artisanal quality to his work, which clearly sets him apart from many of his Scandinavian contemporaries. Before establishing his own company, he is said to have designed lamps for Fog & Mørup in the 1950s. He later founded Holm-Sørensen & Co., from which many of his best-known lamps were produced and distributed.
His work changed noticeably over time. In the 1950s, Holm-Sørensen designed highly original and often playful lamps, including colourful and geometric models that are now among his most sought-after works. Some of his early designs, including the well-known rocket-shaped lamps, are considered classics today. In later decades, his style became more rugged and sculptural, with brass and copper taking on a more prominent role. Many of these later lamps were given darkened, oxidized or burnished surfaces, which gave them a dramatic and atmospheric appearance.
Holm-Sørensen's lamps are often immediately recognizable by their expressive silhouettes, pierced or cut metal shades, curled edges and strong handcrafted presence. What makes his work especially appealing is the unusual balance between elegance and rawness. Although firmly rooted in Scandinavian modernism, many of his designs also have an almost theatrical or early brutalist character. The perforations, layered forms and sharply cut metal details do not only serve a decorative purpose, but also create a lively play of light and shadow when the lamp is lit.
Although he is mainly remembered for lighting, Svend Aage Holm-Sørensen also designed furniture and smaller objects. He is known to have sketched ideas constantly, sometimes on envelopes, theatre programmes and other scraps of paper. Not all of these ideas were realised, but the work that did reach production shows an unusually broad and inventive design language.
Holm-Sørensen also designed for other companies. Catalogue material shows that he designed at least one lamp series for Lyfa, where he is credited in abbreviated form as Sv. Aa. Holm-Sørensen for the Globe models. His work also appeared outside Denmark. At least some of his designs were included in Raak catalogues in the Netherlands. A documented example is the Raak Catalogue 5 from 1962, in which pendant lamp B-1002 is credited to Svend Aage Holm-Sørensen . A lantern-shaped Raak pendant lamp is also known with his name attached to it.
Today, Holm-Sørensen's lamps are appreciated for both their craftsmanship and their unmistakable personality. His best designs combine Danish modern restraint with a far more expressive and sculptural approach to metal than was common at the time.
Typical features: Wide stylistic variety, from colourful and geometric 1950s designs to later brass and copper models with pierced or cut metal details, sculptural silhouettes, darkened or burnished surfaces, and a distinctive interplay of light and shadow.
Company note: Labels are also known with the name Holm-Sørensen & Pedersen Belysning ApS. Based on surviving labels, this appears to be the same company rather than a separate maker. The model numbering remained consistent, and the labels were prepared in the same way: pre-printed blanks with the printer's mark, to which the model number was added later. As Holm-Sørensen & Pedersen Belysning ApS was established in 1981, any lamp bearing this company name on its label must date from 1981 or later. This points to a later company name or legal structure within the same Holm-Sørensen production line.
Name note: The designer's name is most correctly given as Svend Aage Holm-Sørensen. On catalogues and labels it may appear in abbreviated form as Sv. Aa. Holm-Sørensen, while the variant Sven Aage Holm-Sørensen is also found in the trade.
Some of his most iconic 1950s designs are now among the highlights of post-war Danish lighting.
Many thanks to Marjan from Vintage Drachten for the beautiful pictures.




























