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AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 7
AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 1
AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 8
AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 4
AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 2
AV Mazzega amber foliate pendant lamp design: Carlo Nason 8 glass leaves chrome frame chain 1970sAV Mazzega Amber Foliate Pendant Lamp 5

Amber Foliate glass Pendant Lamp

Materials: Chromed metal (iron) wire frame. Round lampshade made of 8 amber, yellow, orange & clear hand blown embossed crystal Murano glass leaves. Sprinkled with “sugar” glass crystals. 8 chromed brass ornamental screws. Chrome chain and canopy. Bakelite E27 socket.

Chain Length: 80 cm / 31.49’’

Height: 38 cm / 14.96”

Width: ∅ 40 cm / 15.74”

Electricity: 1 bulbsE27, 1 x 100 watt maximum, 110/220 volt.
Any type of light bulb can be used. Not a specific one preferred.

Period: 1970s – Mid-Century Modern.

Designer: To be appraised.

Manufacturer: To be determined.

Other versions: This amber foliate glass pendant lamp exists in several colours.

It is not certain that this lamp was produced by AV Mazzega, although it clearly follows that style. The Italian company La Murrina created very similar lamps during the same period, and it is equally possible that this piece comes from their workshop.

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Murano Glass Lamps

Murano has long been synonymous with the finest glassmaking in the world. Beyond vases, sculptures, and decorative objects, the island’s glassmakers also became pioneers in lighting design.

From the 1950s through the 1980s, Murano workshops produced a wide variety of glass lamps: table and floor lamps, wall sconces, and chandeliers in countless forms. Some were delicate and traditional, others bold and modernist, but all carried the unmistakable quality of Venetian craftsmanship.

The uniqueness of Murano lighting lies in the mastery of techniques passed down through generations: sommerso layering, murrine patterns, avventurina sparkles, and refined crystal-clear glass. Combined with the imagination of Italian designers, these skills transformed simple glass into luminous works of art.

It is important to note that only lamps made on the island of Murano itself can rightfully be called “Murano glass.” Factories in nearby towns or on the mainland often produced very similar models, sometimes almost indistinguishable in style, but those pieces are not authentic Murano creations. Just one village further, and the result is merely “Murano style.”

Murano – The Island of Glass

Murano, a small island in the Venetian lagoon, has been the world capital of glassmaking since the late Middle Ages. For centuries, its furnaces supplied Europe with the most refined crystal and innovative techniques. By the 20th century, Murano glass had entered the modern era, with lighting design becoming one of its most celebrated expressions.

Among the most important Murano lighting manufacturers are:

Venini – avant-garde glass and collaborations with leading designers.

Barovier & Toso – centuries of tradition and refined chandeliers.

Seguso – known for clarity and elegant modern forms.

AV Mazzega – creators of many mid-century modern icons.

La Murrina – strong colors and bold post-war design.

Vistosi – blending tradition with modern designers.

Together, these manufacturers shaped Murano’s reputation not only as a guardian of tradition but also as a leader in 20th-century design. Authentic Murano lamps remain highly collectible and admired worldwide — luminous reminders that true Murano glass can only come from Murano itself.